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#Accompanist manual
#Accompanist professional

She has performed for musicals and operas, both in college and local community settings.

#Accompanist professional

She has accompanied various advanced college choirs, and has also been pianist for professional ballet companies, schools, and a variety of summer intensive dance programs. Her work has included recitals, competitions, juries and auditions, as well as the occasional guest artist needing her expertise. Originally from Lancaster, Pennsylvania, Lonnie has traveled extensively, collaborating with vocal and instrumental students at universities such as Calvin University, DePaul University, Grand Valley State University, University of Arkansas, University of Michigan, and University of Notre Dame.

Ostrander, MMus in Piano Performance from Northern Illinois University, has enjoyed a versatile career as a musician over many years.

Robert Roux in his hometown of Houston, Texas.Įrik currently works and studies in the Santa Barbara area, where he is a TA collaborative pianist at UCSB, plays with the Santa Barbara Master Chorale, and in private voice lessons with Dr. Before that, he received an Artist’s Diploma from the Glenn Gould School with pianist John O’Conor, and a Bachelor’s Degree from Rice University with Dr. He began his Doctoral studies in Collaborative Piano at UC Santa Barbara with Robert Koenig, and was a TA at UM Kansas City where he earned a Master’s Degree with Dr. He was orchestral keyboardist with the Topeka Symphony Orchestra. Erik has given performances at the Canadian Opera Company’s Virtuoso Pianist Afternoon Concert Series, at the International Holland Music Sessions in Bergen, Netherlands, and performed Rachmaninoff’s Third Piano Concerto with the Lake Charles Symphony.

Erik Lawrence has experience in orchestral, chamber music, art song, operatic, and choral genres.

Please note, that you must be signed in with your Westmont Email Account in order to access the document. To view and sign up for Erin's accompanist hours, click the link below. Earl Louis Stuart, and has published pedagogical articles in American Music Teacher Magazine. In addition to Westmont, Erin has been teaching at Santa Barbara City College for ten years, and currently serves as the Minister of Music at First Presbyterian Church. Locally, she has accompanied for Music Academy of the West, Opera Santa Barbara, and Santa Barbara Master Chorale, and coached and accompanied for Ensemble Theatre Company. She is recognized nationally and internationally for her work as a collaborative artist and teacher, and has held collaborative artist positions at Interlochen, Oberlin Baroque Performance Institute, Toledo Opera Association and Bowling Green State University. (ABD) is a prolific pianist and pedagogue. Student Accompanists Available for Recordings, Lessons and RecitalsĮmma Wu - Bonski-Evans, D.M.A.

If you need the services of an accompanist beyond what the Department has assigned to you or can provide, you may inquire with one of these individuals regarding what they will charge you to provide the services you need. Below is a list of student pianists who are regularly employed by the Music Department, and a listing of professional accompanists that our students and faculty have successfully worked with in the past.

Steve Hodson.Īt times students need additional services for individual projects and off-campus events, the funding for which may not be provided by the Music Department. Any student who wishes to receive Department provided accompanist services should inquire to Dr. We'd be happy to help.The Music Department strives to provide appropriate piano accompanists for all regular curricular purposes including for-credit lessons, colloquia appearances, jury exams, masterclasses, and formal Junior and Senior recitals. Please let us know if your latest score requires someone with this skill set. This is in accordance with the official AAA notation notation standard adopted around the world.įinding an accompanist with the ability to read and arrange on and for the accordion using universal notation and is familiar with the subtleties of playing in a pit orchestra can be difficult. Single notes are written in the lower half while the chordal buttons are notated in the upper half. On the other hand (no pun intended), the Stradella system is always written in the bass clef.

#Accompanist manual

The right-hand manual is notated the same way as piano music, but the treble clef is used almost exclusively for piano accordions since the written range extends no lower the three ledger lines below the staff. The music notation is similar to a piano, but there are a lot of differences too. The popularity of the instrument has really gained a lot of momentum with younger audiences and we're finding more interest from people in Colorado looking for an accompanist with the ability to read and/or arrange accordion music. There's been a growing interest in the accordion.